The Lord of the Rings, J.R.R. Tolkien's three-volume epic, is set in the imaginary world of Middle-earth -- home to many strange beings, and most notably hobbits, a peace-loving "little people," cheerful and shy. Since its original British publication in 1954-55, the saga has entranced readers of all ages. It is at once a classic myth and a modern fairy tale. Critic Michael Straight has hailed it as one of the "very few works of genius in recent literature." Middle-earth is a world receptive to poets, scholars, children, and all other people of good will. Donald Barr has described it as "a scrubbed morning world, and a ringing nightmare world...especially sunlit, and shadowed by perils very fundamental, of a peculiarly uncompounded darkness." The story of this world is one of high and heroic adventure. Barr compared it to Beowulf, C.S. Lewis to Orlando Furioso, W.H. Auden to The Thirty-nine Steps. …
The Lord of the Rings, J.R.R. Tolkien's three-volume epic, is set in the imaginary world of Middle-earth -- home to many strange beings, and most notably hobbits, a peace-loving "little people," cheerful and shy. Since its original British publication in 1954-55, the saga has entranced readers of all ages. It is at once a classic myth and a modern fairy tale. Critic Michael Straight has hailed it as one of the "very few works of genius in recent literature." Middle-earth is a world receptive to poets, scholars, children, and all other people of good will. Donald Barr has described it as "a scrubbed morning world, and a ringing nightmare world...especially sunlit, and shadowed by perils very fundamental, of a peculiarly uncompounded darkness." The story of this world is one of high and heroic adventure. Barr compared it to Beowulf, C.S. Lewis to Orlando Furioso, W.H. Auden to The Thirty-nine Steps. In fact the saga is sui generis -- a triumph of imagination which springs to life within its own framework and on its own terms. - Jacket flap.
Frodo and the Companions of the Ring have been beset by danger during their quest to prevent the Ruling Ring from falling into the hands of the Dark Lord by destroying it in the Cracks of Doom. They have lost the wizard, Gandalf, in the battle with an evil spirit in the Mines of Moria; and at the Falls of Rauros, Boromir, seduced by the power of the Ring, tried to seize it by force. While Frodo and Sam made their escape the rest of the company were attacked by Orcs. Now they continue their journey alone down the great River Anduin – alone, that is, save for the mysterious creeping figure that follows wherever they go. J.R.R. Tolkien’s great work of imaginative fiction has been labelled both a heroic romance and a classic fantasy fiction. By turns comic and homely, epic and diabolic, the narrative moves through countless changes of scene and character in an imaginary world which is totally convincing in its detail.
Hirugarrena irakurri ostean iruzkinduko dut istorio osoa, baina bigarren honen amaiera oso goian geratu da! Hori bai, estruktura nahasiago bat eskertu izango nuke.
"The Two Towers" by J.R.R. Tolkien continues the rich, epic journey of "The Fellowship of the Ring," raising the stakes and plunging the heroes deeper into the fight for the fate of Middle Earth. This second volume is filled with memorable characters, rich landscapes, and poetic passages that shines through a somewhat odd and disjointed structure.
In this volume, the Fellowship splits into two parts. Book Three follows Aragorn, Legolas, and Gimli as they chase after Merry and Pippin, kidnapped by Orcs and Urukai from Isengard, into Rohan, a fiercely independent kingdom under attack from Saurman. Book Four follows on parallel the story of Frodo and Sam as they move closer to Mordor to destroy the One Ring in the fires of Mount Doom and along the way, they encounter a malevolent character lurking the shadows.
In a previous review of "The Fellowship of the Ring" I commented on the …
"The Two Towers" by J.R.R. Tolkien continues the rich, epic journey of "The Fellowship of the Ring," raising the stakes and plunging the heroes deeper into the fight for the fate of Middle Earth. This second volume is filled with memorable characters, rich landscapes, and poetic passages that shines through a somewhat odd and disjointed structure.
In this volume, the Fellowship splits into two parts. Book Three follows Aragorn, Legolas, and Gimli as they chase after Merry and Pippin, kidnapped by Orcs and Urukai from Isengard, into Rohan, a fiercely independent kingdom under attack from Saurman. Book Four follows on parallel the story of Frodo and Sam as they move closer to Mordor to destroy the One Ring in the fires of Mount Doom and along the way, they encounter a malevolent character lurking the shadows.
In a previous review of "The Fellowship of the Ring" I commented on the fact that the level of detail in the text makes one forget that they are reading a novel instead of a long-lost history or legend. How can one not be enchanted by the magical details Fangorn Forest, Rohan, Helm's Deep, Gondor, Minas Morgul? Each setting fits like a puzzle together to create a rich tapestry.
What makes this so volume stand out are new characters like Treebeard, Theoden, and Faromir and the new details of characters we have only heard about like Sauruman and Gollum. We also gain deeper insights into the character of Frodo and Sam. Their journey towards Mordor, though less colorful than Book Three, has some of the most well crafted images, characters and concepts of the whole novel. What is clear is that by this point in the story Tolkien has hit his stride and his sheer joy drips from the pages.
However, given these strengths, what ultimately weakens this volume is that while there are many splendid pieces "The Two Towers" feels like the text was written in chunks over the course of time and the radically different focuses of Books Three and Four can be distracting and less satisfying than "The Fellowship of the Ring." Still, an amazing read.