La memoire des pierres.

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Carol Shields: La memoire des pierres. (French language, 1995, le Gran livre du mois)

French language

Published Nov. 7, 1995 by le Gran livre du mois.

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(2 reviews)

This is the poignant story of Daisy Goodwill, twentieth-century pilgrim, from her calamitous birth in Canada to her death in a Florida nursing home nearly ninety years later. Struggling to find her place in the world, she listens and observes, becoming a witness to her own life and death in this rich tale that reflects and illuminates our own unsettled era.

~from the back cover

42 editions

Review of 'Stone Diaries' on 'Goodreads'

I guess I expected more out of a Pulitzer Prize winner. It didn't take my breath away (as did [b:Tinkers|8841028|tinkers|Paul Harding|http://www.goodreads.com/images/nocover-60x80.jpg|13715812]); The Stone Diaries wasn't awful, but I didn't find it "distinguished."

One feature of this book is the narrator's voice. The life of Daisy Goodwill Flett is told primarily in the third person, but in a few instances, Daisy sneaks in a first-person comment and we find that it's Daisy herself who is telling the story. One (very good) chapter is told completely in correspondence to Daisy--we never see her letters, only those addressed to her. Oddly, for an autobiographical account, we are left to reconstruct events without hearing from the narrator, and I found the section very compelling.

In keeping with the title, some characters have an affinity for rocks (one is a stonecutter; another builds a miniature pyramid). Other people are interested in plants. The "rock" folks …

Review of 'Stone Diaries, The (Essential Edition): (Penguin Essential Edition)' on 'Goodreads'

I guess I expected more out of a Pulitzer Prize winner. It didn't take my breath away (as did [b:Tinkers|8841028|tinkers|Paul Harding|http://www.goodreads.com/images/nocover-60x80.jpg|13715812]); The Stone Diaries wasn't awful, but I didn't find it "distinguished."

One feature of this book is the narrator's voice. The life of Daisy Goodwill Flett is told primarily in the third person, but in a few instances, Daisy sneaks in a first-person comment and we find that it's Daisy herself who is telling the story. One (very good) chapter is told completely in correspondence to Daisy--we never see her letters, only those addressed to her. Oddly, for an autobiographical account, we are left to reconstruct events without hearing from the narrator, and I found the section very compelling.

In keeping with the title, some characters have an affinity for rocks (one is a stonecutter; another builds a miniature pyramid). Other people are interested in plants. The "rock" folks …