Paperback, 432 pages
English language
Published 2015 by Picador.
Winners of the Man Booker Prize and hugely successful stage plays in London's West End and on Broadway, Wolf Hall and Bring Up the Bodies bring history to life for a whole new audience having now been adapted into a six-part television series by the BBC and PBS Masterpiece.
Bring Up the Bodies unlocks the darkly glittering court of Henry VIII, where Thomas Cromwell is now chief minister. Henry is disenchanted with Anne Boleyn and has fixed his eye on the demure Jane Seymour. Anne has failed to give England an heir and rumors of her infidelity creep through the court. Over a few terrifying weeks, to dislodge her from her throne, Cromwell ensnares Anne in a web of conspiracy—acting to save his life, serve his king and secure his position. But from the bloody theater of the queen's final days, no one will emerge unscathed. --back cover
An interesting read on how things might have happened and how Thomas Cromwell might have felt. I normally like more action in my historical fiction, but I'll read the next volume.
After having trouble with Wolf Hall, I was reluctant to continue with the series. I am glad I did! Bring Up the Bodies was much easier to read than its predecessor. Hilary Mantel (or her editors) finally got rid of the "he" problem with the sometimes awkward construction: "He, Cromwell."
I have learned by now that Mantel is telling the story of Cromwell. He (yes, he, Cromwell) is the center of attention; not Henry, not Anne. Cromwell is really stuck in an ugly place; he has no choice but to do the king's bidding. To Mantel's credit, she maintains some suspense even though we know the outcome. Cromwell is portrayed as a subtle, brilliant, vindictive, selfish man, and I mean this in all the best ways.
My favorite quotes from this book:
By Henry: "We cannot help what we do, really. Once you are thundering down at a man, you …
After having trouble with Wolf Hall, I was reluctant to continue with the series. I am glad I did! Bring Up the Bodies was much easier to read than its predecessor. Hilary Mantel (or her editors) finally got rid of the "he" problem with the sometimes awkward construction: "He, Cromwell."
I have learned by now that Mantel is telling the story of Cromwell. He (yes, he, Cromwell) is the center of attention; not Henry, not Anne. Cromwell is really stuck in an ugly place; he has no choice but to do the king's bidding. To Mantel's credit, she maintains some suspense even though we know the outcome. Cromwell is portrayed as a subtle, brilliant, vindictive, selfish man, and I mean this in all the best ways.
My favorite quotes from this book:
By Henry: "We cannot help what we do, really. Once you are thundering down at a man, you cannot check." He says this while preparing for jousting, but really, isn't that just Henry in a nutshell?
By Cromwell: "You know I am not a man with whom you can have inconsequential conversations."
