trade paperback, 411 pages
English language
Published 2012 by Fourth Estate.
By 1535 Thomas Cromwell, the blacksmith's son, is far from his humble origins. Chief Minister to Henry VIII, his fortunes have risen with those of Anne Boleyn, Henry's second wife, for whose sake Henry has broken with Rome and created his own church. But Henry's actions have forced England into dangerous isolation, and Anne has failed to do what she promised: bear a son to secure the Tudor line. When Henry visits Wolf Hall, Cromwell watches as he falls in love with the silent, plain Jane Seymour. The minister sees what is at stake: not just the king's pleasure, but the safety of the nation. As he eases a way through the sexual politics of the court, its miasma of gossip, he must negotiate a 'truth' that will satisfy Henry and secure his own career. But neither minster nor king will emerge undamaged from the bloody theatre of Anne's final …
By 1535 Thomas Cromwell, the blacksmith's son, is far from his humble origins. Chief Minister to Henry VIII, his fortunes have risen with those of Anne Boleyn, Henry's second wife, for whose sake Henry has broken with Rome and created his own church. But Henry's actions have forced England into dangerous isolation, and Anne has failed to do what she promised: bear a son to secure the Tudor line. When Henry visits Wolf Hall, Cromwell watches as he falls in love with the silent, plain Jane Seymour. The minister sees what is at stake: not just the king's pleasure, but the safety of the nation. As he eases a way through the sexual politics of the court, its miasma of gossip, he must negotiate a 'truth' that will satisfy Henry and secure his own career. But neither minster nor king will emerge undamaged from the bloody theatre of Anne's final days.
In Bring Up the Bodies, sequel to the Man Booker Prize-winning Wolf Hall, Hilary Mantel explores one of the most mystifying and frightening episodes in English history: the destruction of Anne Boleyn. This new novel is a speaking picture, an audacious vision of Tudor England that sheds its light on the modern world. It is the work of one of our great writers at the height of her powers. --back cover
An interesting read on how things might have happened and how Thomas Cromwell might have felt. I normally like more action in my historical fiction, but I'll read the next volume.
After having trouble with Wolf Hall, I was reluctant to continue with the series. I am glad I did! Bring Up the Bodies was much easier to read than its predecessor. Hilary Mantel (or her editors) finally got rid of the "he" problem with the sometimes awkward construction: "He, Cromwell."
I have learned by now that Mantel is telling the story of Cromwell. He (yes, he, Cromwell) is the center of attention; not Henry, not Anne. Cromwell is really stuck in an ugly place; he has no choice but to do the king's bidding. To Mantel's credit, she maintains some suspense even though we know the outcome. Cromwell is portrayed as a subtle, brilliant, vindictive, selfish man, and I mean this in all the best ways.
My favorite quotes from this book:
By Henry: "We cannot help what we do, really. Once you are thundering down at a man, you …
After having trouble with Wolf Hall, I was reluctant to continue with the series. I am glad I did! Bring Up the Bodies was much easier to read than its predecessor. Hilary Mantel (or her editors) finally got rid of the "he" problem with the sometimes awkward construction: "He, Cromwell."
I have learned by now that Mantel is telling the story of Cromwell. He (yes, he, Cromwell) is the center of attention; not Henry, not Anne. Cromwell is really stuck in an ugly place; he has no choice but to do the king's bidding. To Mantel's credit, she maintains some suspense even though we know the outcome. Cromwell is portrayed as a subtle, brilliant, vindictive, selfish man, and I mean this in all the best ways.
My favorite quotes from this book:
By Henry: "We cannot help what we do, really. Once you are thundering down at a man, you cannot check." He says this while preparing for jousting, but really, isn't that just Henry in a nutshell?
By Cromwell: "You know I am not a man with whom you can have inconsequential conversations."
