Baal

232 pages

German language

Published Dec. 31, 1994

ISBN:
978-3-518-10170-4
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Goodreads:
579823

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Baal was the first full-length play written by the German modernist playwright Bertolt Brecht. It concerns a wastrel youth who becomes involved in several sexual affairs and at least one murder. It was written in 1918, when Brecht was a 20-year-old student at Munich University, in response to the expressionist drama The Loner (Der Einsame) by the soon-to-become-Nazi dramatist Hanns Johst. The play is written in a form of heightened prose and includes four songs and an introductory choral hymn ("Hymn of Baal the Great"), set to melodies composed by Brecht himself. Brecht wrote it prior to developing the dramaturgical techniques of epic theatre that characterize his later work, although he did re-work the play in 1926.

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Drowning in Excess – My Encounter with Brecht’s Baal

Reading Bertolt Brecht’s Baal felt like standing too close to a fire—at once hypnotic and destructive. The play follows Baal, a poet and musician whose raw talent is matched only by his self-indulgence and cruelty. Instead of being celebrated as a misunderstood genius, he comes across as someone who consumes everything around him: friends, lovers, even himself.

What struck me most was the way Brecht refuses to romanticize the artist. Baal is charismatic, yes, but also repellent—driven by desire, incapable of restraint, leaving ruin wherever he goes. I found myself both fascinated and unsettled, unable to look away from his downward spiral.

The imagery is stark and often brutal: drinking, wandering through taverns, seductions that quickly turn sour, and the slow erosion of his vitality. By the end, Baal is not a tragic hero but a man hollowed out by his own appetites.

For me, the play was less about …

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