Huis Clos, suivi de Les Mouches

247 pages

French language

Published Feb. 18, 2000

ISBN:
978-2-07-036807-5
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Goodreads:
822338

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The Flies (French: Les Mouches) is a play by Jean-Paul Sartre, produced in 1943. It is an adaptation of the Electra myth, previously used by the Greek playwrights Sophocles, Aeschylus and Euripides. The play recounts the story of Orestes and his sister Electra in their quest to avenge the death of their father Agamemnon, king of Argos, by killing their mother Clytemnestra and her husband Aegisthus, who had deposed and killed him. Sartre incorporates an existentialist theme into the play, having Electra and Orestes engaged in a battle with Zeus and his Furies, who are the gods of Argos and the centerpiece for self-abnegating religious rituals. This results in fear and a lack of autonomy for Zeus's worshippers, who live in constant shame of their humanity.

3 editions

Freedom in the Shadow of Guilt – My Reading of Sartre’s The Flies

Reading Jean-Paul Sartre’s The Flies was for me like standing in a dark square, listening to voices that echoed both fear and defiance. The play, Sartre’s reimagining of the myth of Orestes and Electra, struck me not only as a retelling of a Greek tragedy, but as a profound meditation on freedom and responsibility in a world paralyzed by guilt.

From the moment Orestes returns to Argos, I felt the oppressive weight of the city, haunted by the flies that symbolize decay and remorse. The people live crushed under the authority of King Aegisthus and the manipulations of Jupiter, convinced that their sins demand eternal punishment. I was deeply moved by how Sartre captured this suffocating atmosphere—it reminded me of how fear can keep entire societies silent and submissive.

What stirred me most was Orestes’s awakening. His decision to kill Aegisthus and Clytemnestra is not just an act of vengeance, …

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