Woman on the Edge of Time: The classic feminist dystopian novel

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ISBN:
978-1-5291-0057-0
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Onetime college girl, loving mother, pickpocket, and unmarried mourning wife Consuelo Ramos, imprisoned in a New York mental hospital for assaulting a pimp, hovers between a future of life dominant and an endless present of neuroelectric experimentation

19 editions

The most influential mid-20th century feminist anarchist novel you've never heard of

First things first: content warning for this book include sexual assault, emotional/verbal/physical family abuse, a few racial/sexuality slurs. These are mostly concentrated in the beginning of the book. One or two very minor spoilers ahead.

The book starts with Connie, a poor Chicana woman living in New York City in the 1970s, being involuntarily committed to a mental institution. At the same time, Connie is receiving telepathic communications from Luciente, a person who turns out to be from Mattapoisett, MA, in 2137. Luciente and per community believe Connie's time and place is a pivotal one, which is why they've reached out. At first Connie is suspicious and alarmed, but as she keeps contact with Luciente, she begins to understand and embrace their non-hierarchical, agrarian, techno-anarchist way of life, and to see this possible future as one worth fighting for.

That is the plot in a nutshell. The plot …

Woman on the Edge of Time

I'll start off this review by saying that I'm probably being harsher on this book than I should be due to my general distaste for second-wave feminism and 60s and 70s era environmentalism, which are the two main traditions this book seems to come from. Perhaps in a book aligned more with my politics, I would have forgiven more of my frustrations with the characters, dialog, and worldbuilding. But as it was, I disliked this book.

The narrator/protagonist is a Connie, a Mexican-American woman (written by a white author), and the book opens up with her living in a slum, talking about the drugs and crime there, and interacting with her niece, who is a sex worker, something the protagonist clearly feels disgust about — disgust that feels like it comes straight from the author, since there doesn't seem to be much of any attempt to subvert that or …