Tak! reviewed The Space Between Worlds by Micaiah Johnson
The Space between Worlds
5 stars
Original, innovative, grim, politically relevant, amazing
Paperback, 336 pages
Published May 31, 2021 by Del Rey.
Multiverse travel is finally possible, but there's just one catch: No one can visit a world where their counterpart is still alive. Enter Cara, whose parallel selves happen to be exceptionally good at dying--from disease, turf wars, or vendettas they couldn't outrun. Cara's life has been cut short on 372 worlds in total.
On this dystopian Earth, however, Cara has survived. Identified as an outlier and therefore a perfect candidate for multiverse travel, Cara is plucked from the dirt of the wastelands. Now what once made her marginalized has finally become an unexpected source of power. She has a nice apartment on the lower levels of the wealthy and walled-off Wiley City. She works--and shamelessly flirts--with her enticing yet aloof handler, Dell, as the two women collect off-world data for the Eldridge Institute. She even occasionally leaves the city to visit her family in the wastes, though she struggles to …
Multiverse travel is finally possible, but there's just one catch: No one can visit a world where their counterpart is still alive. Enter Cara, whose parallel selves happen to be exceptionally good at dying--from disease, turf wars, or vendettas they couldn't outrun. Cara's life has been cut short on 372 worlds in total.
On this dystopian Earth, however, Cara has survived. Identified as an outlier and therefore a perfect candidate for multiverse travel, Cara is plucked from the dirt of the wastelands. Now what once made her marginalized has finally become an unexpected source of power. She has a nice apartment on the lower levels of the wealthy and walled-off Wiley City. She works--and shamelessly flirts--with her enticing yet aloof handler, Dell, as the two women collect off-world data for the Eldridge Institute. She even occasionally leaves the city to visit her family in the wastes, though she struggles to feel at home in either place. So long as she can keep her head down and avoid trouble, Cara is on a sure path to citizenship and security.
But trouble finds Cara when one of her eight remaining doppelgangers dies under mysterious circumstances, plunging her into a new world with an old secret. What she discovers will connect her past and her future in ways she could have never imagined--and reveal her own role in a plot that endangers not just her world but the entire multiverse.
Original, innovative, grim, politically relevant, amazing
I read this book five years ago, and thought I'd refresh myself before the #SFFBookClub read of the sequel this month. I'd forgotten just how much I enjoyed this story and world. The writing has a brusque, hardboiled tone from the cynical point of view of a survivor, and it really works for this particular kind of book.
This is a multiverse travelling story, where there is technology that can send people between similar worlds, but only safely to ones where their "other selves" are not alive. Cara is somebody who has fought to survive her whole life and thus has few other selves alive, so she gets a job as a "traverser" to be sent to other worlds to collect information. Because it deals with worldwalking between closely related worlds rather than wildly different ones (like Charles Stross' Merchant Princes series), it gets the opportunity to explore the same …
I read this book five years ago, and thought I'd refresh myself before the #SFFBookClub read of the sequel this month. I'd forgotten just how much I enjoyed this story and world. The writing has a brusque, hardboiled tone from the cynical point of view of a survivor, and it really works for this particular kind of book.
This is a multiverse travelling story, where there is technology that can send people between similar worlds, but only safely to ones where their "other selves" are not alive. Cara is somebody who has fought to survive her whole life and thus has few other selves alive, so she gets a job as a "traverser" to be sent to other worlds to collect information. Because it deals with worldwalking between closely related worlds rather than wildly different ones (like Charles Stross' Merchant Princes series), it gets the opportunity to explore the same characters in different timelines where their lives had taken different paths.
The post-apocalyptic wasteland locale of this novel is split into the wealthy folks of Wiley City living behind a wall (literally and metaphorically the airquotes nice white people of this story), the religious Ruralites, and the survivors of Ashtown between them. Cara is constantly code switching and crossing borders, both locally and multiversally--she is pretending to be a Ruralite, is secretly from Ashtown, while she precariously lives in Wiley City (hoping to get citizenship). Thematically, I love how the book ends with doubling down on Cara's role as an intermediary between worlds.