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#SFFBookClub November

The #SFFBookClub selection for November 2025

There's an excellent book in here. An engaging story about individual and collective self-delusion and amnesia, with some very clear political messages and a grim humour to it. But at times, especially in the second quarter or so of the book, the author seems unclear whether he's writing a novel or a NY Review Of Books essay about individual dementia, collective amnesia, and the selective remembering of nostalgia. It's clear that he could write a fine essay and I'd enjoy reading that too, but the hybrid is clunky. From the POV of a novel reader the essay portions make the plot drag slowly enough that I started to lose interest. From the POV of a creative nonfiction reader, the actually fiction parts are jarring and confusing.

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I loved this book for several things:

• How real and solid the historical-London setting felt. I'm used to that sort of thing feeling very flimsy, but this is an author who clearly does deep research and lets it suffuse the writing without getting all 'splainy.
• The very palpable tension between the protagonist's precarious position and her need to have some freedom.
• The delightful-if-implausable retconning of Sir Christopher Wren's secret motive for shaping London the way he did.

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About halfway through and I have mixed feelings about this book. I find the plot such as there is one quite interesting and a very good vehicle for dissecting/mocking the 2010s-2020s turn to fascism. And I like the writing itself a lot. But Gospodinov seems perpetually unsure whether he's writing a novel or an essay.

The thing that's keeping me going is that he's a good enough writer and observer for it to be an enjoyable essay, but I am increasingly finding myself wanting the essayish digressions to get shorter so the plot can move more.

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Ok, I think I'm putting this down now - it has become a slog. I took a little break, thinking maybe I just needed a change of pace, but I'm just not into it.

I'm reminded a bit of when, having loved The Historian, I picked up The Shadow Land, also by Elizabeth Kostova. I spent much of the novel anticipating how the surreal elements were going to be introduced, only to eventually realize that it was just a "normal" mystery story (coincidentally also set in / revolving around Bulgaria).

Some of the concepts are intriguing, but they don't seem to be going anywhere (so far).

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👀

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this is a statement about the current geopolitical landscape

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savage

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An interesting mix of victorian(?) midwifery and eldritch mysticism. I enjoyed it, but it wasn't as groundbreaking as Our Lady of Endless Worlds.

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